Edith Wharton

Perhaps she too had kept her memory of him as something apart; but if she had, it must have been like a relic in a small dim chapel, where there was not time to pray every day.... It was only that afternoon that May Welland had let him guess that she β€œcared” (New York’s consecrated phrase of maiden avowal), and already his imagination, leaping ahead of the engagement ring, the betrothal kiss and the march from Lohengrin, pictured her at his side in some scene of old European witchery. His way of ignoring people whose presence inconvenienced him actually gave them, if they were sensitive to it, a feeling of invisibility, of nonexistence. Archer, as the three strolled back through the park, was aware of this odd sense of disembodiment; […] The day was fading into a soft sun-shot haze, pricked here and there by a yellow electric light, and passers were rare in the little square into which they had turned. […] she had had the novel experience of looking down from the restaurant terrace on an audience of "cocottes," and having her husband interpret to her as much of the songs as he thought suitable for bridal ears. [...]; a balance not artfully calculated, as her tears and her falterings showed, but resulting naturally from her unabashed sincerity. She and Mr. van der Luyden were so exactly alike that Archer often wondered how, after forty years of the closest conjugality, two such merged identities ever separated themselves enough for anything as controversial as a talking-over. [A]lready his imagination, leaping ahead of the engagement ring, the betrothal kiss and the march from Lohengrin, pictured her at his side in some scene of old European witchery.